A musical ensemble is a group of people who perform instrumental or vocal music. In each musical style different norms have developed for the sizes and composition of different ensembles, and for the repertoire of songs or musical works that these ensembles perform.

A group of two musicians is called a duo, a group of three is a trio, a group of four a quartet, and a group of five a quintet. A musician who usually performs alone is usually termed a solo musician or solo artist.

In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles or wind ensembles. In jazz ensembles, the instruments typically include wind instruments (one or more saxophones, trumpets, etc.), one or two chordal "comping" instruments (electric guitar, piano, or organ), a bass instrument (electric bass guitar or double bass), and a drummer or percussionist. In rock ensembles, usually called rock bands, there are usually guitars and keyboards (piano, electric piano, Hammond organ, synthesizer, etc.) and a rhythm section made up of a bass guitar and drum kit.

Classical chamber music

In Western Art music, commonly referred to as classical music, smaller ensembles are called chamber music ensembles. The terms duet, trio, quartet, quintet, sextet, septet, octet, nonet and dectet are used to describe groups of two, three, four, five, six, seven, eight, nine and ten musicians, respectively. A group of eleven musicians, such as found in ''The Carnival of the Animals'', is called either a "hendectet" or an "undectet" (see Latin numerical prefixes). A solo is not an ensemble because it only contains one musician.

Four parts

Strings

A string ''quartet'' usually consists of two violins, a viola and a cello. An upper string quartet features two violins and two violas. A lower string quartet features 1 viola, 2 cellos and a double bass. An American string quartet features two guitars, a banjo and a drum kit.

Wind

A woodwind quartet usually features a clarinet, bassoon, flute and oboe. A brass quartet features 2 trumpets, a trombone and a tuba. A wind quartet features a horn, flute, oboe and bassoon. A lower wind quartet features a tuba, a bassoon, a bass clarinet and a trombone.

Five parts

The string ''quintet'' is a common type of group. It is similar to the string quartet, but with two violas, two cellos, or more rarely, the addition of a double bass. Terms such as "piano quintet" or "clarinet quintet" frequently refer to a string quartet ''plus'' a fifth instrument. Thus, a ''piano quintet'' is usually a string quartet plus a piano. Mozart's Clarinet Quintet is similarly a piece written for an ensemble consisting of 2 violins, a viola, a cello and a clarinet, the last being the exceptional addition to a "normal" string quartet.

Other common groupings in classical music are the woodwind quintet, usually consisting of flute, oboe, clarinet, bassoon and horn and the brass quintet, consisting of two trumpets, one french horn, a trombone and a tuba.

Six or more instruments

Classical chamber ensembles for more than six musicians are occasionally used, such as septets (seven musicians), octets (eight musicians), or nonets (nine musicians). However, in many cases a larger classical group is referred to as an orchestra of some type. A small orchestra with fifteen to thirty members (violins, violas, cellos, double basses, and several woodwind or brass instruments) is called a chamber orchestra In the American education system, sitting groups are known as wind ensembles or concert bands (to differentiate from marching bands). Music is similar to that of a pops orchestra, orchestrated for woodwinds, brass, and percussion. A sinfonietta usually denotes a somewhat smaller orchestra (though still not a chamber orchestra). Larger orchestras are called symphony orchestras or philharmonic orchestras.

A pops orchestra is an orchestra that mainly performs light classical music (often in abbreviated, simplified arrangements) and orchestral arrangements and medleys of popular jazz, music theater, or pop music songs. A string orchestra has only strings, i.e., violins, violas, cellos and basses.

A symphony orchestra is an ensemble usually comprising at least thirty musicians; the number of players is typically between seventy and ninety-five and may exceed one hundred. A symphony orchestra is divided into families of instruments. In the string family, there are sections of violins (I and II), violas, cellos, and basses. The winds consist of the woodwind family of instruments (flutes and piccolo, oboes and English horn, clarinets [made up of the E clarinet, clarinet, and bass clarinet], and bassoons [often including contrabassoon]) and the brass family (horns, trumpets, trombones, and tuba). The percussion family includes the timpani, bass drum, snare drum, and any other percussion instruments called for in a score (e.g., triangle, glockenspiel, chimes, cymbals, wood blocks).

When orchestras are performing baroque music (from the 17th century and early 18th century), they may also use a harpsichord or pipe organ. When orchestras are performing Romantic-era music (from the 19th century), they may also use harps or unusual instruments such as the wind machine. When orchestras are performing music from the 20th century or the 21st century, occasionally instruments such as electric guitar, theremin, or even an electronic synthesizer may be used.

Jazz ensembles

Three parts

In jazz, there are several types of trios. One type of jazz trio is formed with a piano player, a bass player and a drummer. Another type of jazz trio that became popular in the 1950s and 1960s is the organ trio, which is composed of a Hammond organ player, a drummer, and a third instrumentalist (either a saxophone player or an electric jazz guitarist). In organ trios, the Hammond organ player performs the bass line on the organ bass pedals while simultaneously playing chords or lead lines on the keyboard manuals. Other types of trios include the "drummer-less" trio, which consists of a piano player, a double bassist, and a horn (saxophone or trumpet) or guitar player ; and the jazz trio with a horn player (saxophone or trumpet), double bass player, and a drummer. In the latter type of trio, the lack of a chordal instrument means that the horn player and the bassist have to imply the changing harmonies with their improvised lines.

Four parts

Jazz quartets typically add a ''horn'' (the generic jazz name for saxophones, trombones, trumpets, or any other wind instrument commonly associated with jazz) to one of the jazz trios described above. Slightly larger jazz ensembles, such as quintets (five instruments) or sextets (six instruments) typically add other soloing instruments to the basic quartet formation, such as different types of saxophones (e.g., alto saxophone, tenor saxophone, etc.) or an additional chordal instrument.

Larger ensembles

The lineup of larger jazz ensembles can vary considerably, depending on the style of jazz being performed. In a 1920s-style dixieland jazz band, a larger ensemble would be formed by adding a banjo player, woodwind instruments, as with the clarinet, or additional horns (saxophones, trumpets, trombones) to one of the smaller groups. In a 1940s-style Swing big band, a larger ensemble is formed by adding "sections" of like instruments, such as a saxophone section and a trumpet section, which perform arranged "horn lines" to accompany the ensemble. In a 1970s-style jazz fusion ensemble, a larger ensemble is often formed by adding additional percussionists or sometimes a saxophone player would "double" or "triple" meaning that they would also be proficient at the clarinet, flute or both. Also by the addition of soloing instruments.

Rock and pop bands

Two parts

Two-member rock and pop bands are relatively rare, because of the difficulty in providing all of the musical elements which are part of the rock or pop sound (vocals, chords, bass lines, and percussion or drumming) with trios or quartets. Two-member rock and pop bands typically omit one of these musical elements. In many cases, two-member bands will omit a drummer, since guitars, bass guitars, and keyboards can all be used to provide a rhythmic pulse, however one rare west coast metal and rock band In Between, consists of a drummer and a guitarist/singer. Examples of two-member bands are The Everly Brothers, Pet Shop Boys, Hella, Flight of the Conchords, Death from above 1979, Francis Xavier, I Set My Friends On Fire, Middle Class Rut, No Age, The Pity Party, The White Stripes, Big Business, erdbeerseestern, God Head Silo, Two Gallants, Lightning Bolt, The Ting Tings, The Black Box Revelation, Satyricon, The Black Keys, Panic! At the Disco, Stray Kites, Tenacious D, D.A. Dad, Simon and Garfunkel and The Pack A.D..

When electronic sequencers became widely available in the 1980s, this made it easier for two-member bands to add in musical elements that the two band members were not able to perform. Sequencers allowed bands to pre-program some elements of their performance, such as an electronic drum part and a synth-bass line. Two-member pop music bands such as Soft Cell, Blancmange and Yazoo used pre-programmed sequencers. Other pop bands from the 1980s which were ostensibly fronted by two performers, such as Wham! and Tears for Fears, were not actually two-piece ensembles, because other instrumental musicians were used "behind the scenes" to fill out the sound.

Two-piece bands in rock music are quite rare. However, starting in the 2000s, blues-influenced rock bands such as The White Stripes, Lost Dawn and The Black Keys utilized a guitar and drums scheme. However, this is predated by the Flat Duo Jets from the '80's. Death From Above 1979 featured a drummer and bass guitarist. Tenacious D is a two-guitar band; One Day as a Lion and The Dresden Dolls both feature a keyboardist and a drummer. The band Welk consists of a two-man psychedelic flute band, with the occasional synthesizer. Two-person bands have grown in popularity in experimental rock music. W.A.S.P. guitarist Doug Blair is also known for his work in the two-piece progressive rock band signal2noise, where he manages to be the lead guitarist and bassist at the same time, thanks to a special custom instrument he invented (an electric guitar with five regular guitar strings paired with three bass guitar strings). Heisenflei of Los Angeles duo The Pity Party plays drums, keyboards, and sings simultaneously. Providence-based Lightning Bolt is a two-member band. Bassist Brian Gibson augments his playing with delay pedals, pitch shifters, looping devices and other pedals, occasionally creating harmony. Local H, No Age, Blood Red Shoes, PS I Love You, The Redmond Barry's and Warship are other prominent two-person experimental rock bands.

Example line-up

Lead vocals, Bass, Guitar

Drums, Percussion, Backing vocals

or

Lead vocals, Keyboard, Guitar

Drums, Percussion, Backing vocals

or

Lead vocals, Bass, Drum machine

Lead guitar, Backing vocals Drum machine

Three parts

The smallest ensemble that is commonly used in rock music is the trio format. In a hard rock or blues-rock band, or heavy metal rock group, a "power trio" format is often used, which consists of an electric guitar player, an electric bass guitar player and a drummer, and typically one or more of these musicians also sing (sometimes all three members will sing, e.g. Bee Gees or Alkaline Trio). Some well-known power trios with the guitarist on lead vocals are The Jimi Hendrix Experience, Stevie Ray Vaughan and Double Trouble, Nirvana, Green Day, Violent Femmes, Gov't Mule, The Minutemen, Triumph, Shellac, Sublime, Chevelle, Muse, Short Stack, ZZ Top, and the original lineup of Wolfmother. A handful of others with the bassist on vocals include Primus, Motörhead, The Police, The Melvins, Blue Cheer, Dinosaur Junior, Rush, The Presidents of the United States of America, Venom, and Cream. Some power trios feature two lead vocalists, both of which play their respective instruments. For example, in the band blink-182 vocals are split between bassist Mark Hoppus and guitarist Tom DeLonge.

An alternative to the power trio are organ trios formed with an electric guitarist, a drummer and a keyboardist. Although organ trios are most commonly associated with 1950s and 1960s jazz organ trio groups such as those led by organist Jimmy Smith, there are also organ trios in rock-oriented styles, such as jazz-rock fusion and Grateful Dead-influenced jam bands such as Medeski Martin & Wood. In organ trios, the keyboard player typically plays a Hammond organ or similar instrument, which permits the keyboard player to perform bass lines, chords, and lead lines. A variant of the organ trio are trios formed with an electric bassist, a drummer and an electronic keyboardist (playing synthesizers) such as the progressive rock band Emerson, Lake & Palmer, and Atomic Rooster. Another variation is to have a vocalist, a guitarist and a drummer, an example being Yeah Yeah Yeahs. Another variation is two guitars, a bassist, and a drum machine, examples including Magic Wands and Big Black.

A power trio with the guitarist on lead vocals is popular record company lineup, as the guitarist and singer will usually be the songwriter. Therefore you only have to present one face to the public, the backing band is easy to house, and the songs will likely stay simple and accessible as the frontman will have to sing and play guitar at the same time.

Example line-up

Lead vocals, Lead guitar

Bass guitar, Keyboards

Drums, Percussion

or

Lead vocals, Bass guitar

Lead guitar, Backing vocals

Drums, Percussion, Backing vocals

or

Backing vocals, Bass guitar

Lead guitar, Backing vocals

Drums, Percussion, Lead vocals

or

Lead vocals, Lead guitar

Bass guitar, Backing vocals, Harmonica

Drums, Percussion

Four parts

The four-piece band is the most common configuration in rock and pop music. Before the development of the electronic keyboard, the configuration was typically two guitarists (one lead guitarist and one rhythm guitarist, with the latter on vocals), a bassist (typically the electric bass guitar) and a drummer (e.g.KISS, Foo Fighters, Weezer, Metallica, The Clash, Creedence Clearwater Revival, The Kinks, The Fray, Sonic Youth, The Smashing Pumpkins, Arctic Monkeys, Franz Ferdinand, Against Me! and the new lineup of Wolfmother). This is popular with bands for its versatility. However, it has been noted the main complaint is that it takes too much effort to keep so many instruments in tune when they are played by every member of the band.

Another common formation was a vocalist, electric guitarist, bass guitarist, and a drummer (e.g.The Who, Led Zeppelin, The Ramones, Tokio Hotel, Sex Pistols, Red Hot Chili Peppers, Queen, R.E.M., Blur, The Smiths, Echo and the Bunnymen, Stone Roses, Creed, Black Sabbath, Van Halen, The Stooges, Joy Division, U2 and Coldplay). Instrumentally, these bands can be considered as trios. This format is popular with new bands, as there are only two instruments that need tuning, the line-and-counterpoint formula prevalent with their material is easy to learn, four members are commonplace to work with, the roles are clearly defined and generally are: melody line, rhythm section with counterpoint melody, and vocals on top.

In some early rock bands, keyboardists were used, performing on piano (e.g. The Seeds and The Doors) with a guitarist, singer, drummer and keyboardist. Some bands will have a guitarist, bassist, drummer, and keyboard player (for example, Small Faces, King Crimson, The Guess Who, Pink Floyd, Coldplay, The Killers, The Monkees and Blind Faith).

Some bands will have the bassist on lead vocals, such as Thin Lizzy, Chameleons, Pink Floyd, NOFX, +44, Slayer, The All-American Rejects or even the lead guitarist, such as Dire Straits and Creedence Clearwater Revival. Some bands, such as The Beatles, have a lead guitarist, a rhythm guitarist and a bassist that all sing lead and backing vocals, that also play keyboards regularly, as well as a drummer. Others, such as The Four Seasons, have a lead vocalist, a lead guitarist, a keyboard player, and a bassist, with the drummer not being a member of the band.

Example line-ups

Lead vocals

Lead guitar, Backing vocals

Bass guitar, Backing vocals

Drums, Percussion

or

Lead vocals

Lead guitar, Backing vocals

Keyboards, Backing vocals

Bass guitar, Backing vocals

or

Lead vocals, Rhythm guitar

Lead guitar, Backing vocals

Bass guitar, Backing vocals

Drums, Percussion

or

Lead vocals, Bass guitar

Lead guitar, Backing vocals

Keyboards

Drums, Percussion

or

Lead vocals, piano, Rhythm guitar

Lead guitar, backing vocals

Bass guitar, Backing vocals

Drums, Backing vocals

or

Lead vocals, Lead guitar

Rhythm guitar, Backing vocals, Keyboards, Harmonica

Bass guitar, Backing vocals

Drums, Percussion, Backing vocals

or

Lead vocal, Bass guitar

Lead guitar, Backing vocals

Rhythm guitar, Backing vocals

Drums, Percussion, Backing vocals

or

Lead vocals, Lead guitar

Bass guitar, Backing vocals

Keyboards

Drums, Percussion

or

Lead vocals, Keyboards/Piano

Lead guitar, Backing vocals

Bass guitar, Backing vocals

Drums, Percussion

or *Lead vocals *Lead guitar , Backing vocals *Keyboards ,Backing vocals *Drums ,Percussion

Five parts

Five-piece bands have existed in rock music since early times. The Beach Boys, The Rolling Stones, Aerosmith, Def Leppard, AC/DC, Oasis, Pearl Jam, Guns N' Roses, Radiohead, The Strokes, Styx, The Yardbirds, 311 are examples of the common vocalist, lead guitar, rhythm guitar, bass, and drums lineup. An alternative to the five-member lineup replaces the rhythm guitarist with a keyboard–synthesizer player (examples being the bands Journey, Nightwish, Maroon 5, Dream Theater, Genesis, Jethro Tull, The Zombies, Bon Jovi, Yes, Snow Patrol, Fleetwood Mac, Marilyn Manson and Deep Purple, all of which consist of a vocalist, guitarist, bassist, keyboardist, and a drummer) or with a turntablist such as Incubus or Limp Bizkit. Alternatives include a keyboardist, guitarist, drummer, bassist, and saxophonist, such as The Sonics and Sam the Sham and the Pharaohs. Another alternative is three guitarists, a bassist and a drummer, such as Radiohead and The Byrds. Some five-person bands feature two guitarists, a keyboardist, a bassist and a drummer, with one or more of these musicians (typically one of the guitarists) handling lead vocals on top of their instrument (examples being Children of Bodom, Sturm und Drang and Ensiferum). In some cases, typically in cover bands, one musician plays either rhythm guitar or keyboards, depending on the song (one notable band being Firewind, with Bob Katsionis handling this particular role).

Other times, the vocalist will provide another musical voice to the table, most commonly a harmonica; Mick Jagger, for example, played harmonica and percussion instruments like maracas and tambourine. Ozzy Osbourne was also known to play the harmonica on some occasions (i.e. "The Wizard" by Black Sabbath).

Line-up

Lead vocals

Lead guitar, backing vocals

Rhythm guitar, backing vocals

Bass guitar, backing vocals

Drums, percussion

or

Lead vocals, keyboards, piano

Lead guitar, backing vocals

Bass guitar, backing vocals

Rhythm guitar, backing vocals

Drums, Percussion

or

Lead vocals, rhythm guitar

Lead guitar, backing vocals

Bass guitar, backing vocals

Keyboards, synthesizers

Drums, Percussion

or

Lead vocals

Lead guitar, backing vocals

Keyboards, backing vocals

Bass guitar, backing vocals

Drums, percussion, backing vocals

or

Lead vocals, Rhythm guitar, Piano

Lead guitar, Piano, Keyboards, Backing vocals

Bass guitar, Backing vocals

Keyboards, Rhythm guitar, Backing vocals

Drums, Percussion, Backing vocals

or

Lead vocals, Rhythm guitar, Keyboards

Rhythm guitar, Backing vocals

Lead guitar, Backing vocals

Bass guitar, Backing vocals

Drums, Percussion

or

Lead vocals, Rhythm guitar, Percussion, Keyboards

Lead guitar, Piano, Electronics, Bass, Percussion

Lead guitar, Backing vocals, Synths, Drums, Percussion

Bass guitar, Synths

Drums, Percussion, Backing vocals

Larger rock ensembles

Larger bands have long been a part of rock and pop music, in part due to the influence of the "singer accompanied with orchestra" model inherited from popular big-band jazz and swing and popularized by Frank Sinatra and Ella Fitzgerald.To create larger ensembles, rock bands often add an additional guitarist, an additional keyboardist, additional percussionists or second drummer, an entire horn section, and even a flutist. An example of a six-member rock band is Linkin Park with a lead vocalist, rap vocalist/keyboardist, lead guitarist, bassist, turntablist, and drummer. The American heavy metal band Slipknot is composed of eight members, with a vocalist, two guitarists, a drummer, two custom percussionists, a turntablist, and a sampler.

In larger groups (such as The Band), instrumentalists could play multiple instruments, which enabled the ensemble to create a wider variety of instrument combinations. More rarely, rock or pop groups will be accompanied in concerts by a full or partial symphony orchestra, where lush string-orchestra arrangements are used to flesh out the sound of slow ballads.

Example line-up

Lead vocals, screaming vocals

rapping vocals, pianist

lead guitar, backing vocals

bass guitar, backing vocals

turntables, programming, samples, backing vocals

drums, backing vocals

or

Lead vocals

Lead guitar

Rhythm guitar, backing vocals

Bass guitar, backing vocals

Drums, percussion

Keyboards

or

Lead vocals, Guitar

Lead guitarist, Backing vocals

Rhythm guitarist

Bass guitar, Backing vocals

Horns (anything from saxophone to a horn section)

Keyboards, Piano

Drums

or

Lead vocals

Lead guitar, backing vocals

Bass guitar, screaming vocals

Drums, percussion

Keyboards, piano

Rhythm guitar, backing vocals

DJ, emcee, drum machine, Sampler, synthesizers

Percussion

or even

Lead vocalist

Lead vocalist

Lead guitar

Lead guitar

Rhythm guitar

Bass guitar

Drums, Percussion

or

Lead Vocals, Rhythm Guitar

Backing Vocals, Lead Guitar

Backing Guitar, Backing Vocals

Bass Guitar, Backing Vocals

Drums, Percussion

Keyboards, Piano, Backing Vocals

Pedal Steel Guitar, Backing Vocals

Violin Backing Vocals

The above line-up was used by Bon Jovi during the Lost Highway tour.

Musical drama

Sung dramas such as operas and musicals usually have numbers where several of the principals are singing together, either on their own or with the chorus. Such numbers (''duets'', ''trios'', etc.) are also referred to as 'ensembles'.

Other western musical ensembles

In the 20th century, the Wind Symphony or Wind Ensemble became popular, especially in academic circles. A wind ensemble consists entirely of wind instruments and percussion instruments, but may also include a double bass. Schools from elementary level onward often have a school band program which is usually centered around its wind ensemble, often known as a concert band.

A choir is a group of voices. By analogy, sometimes a group of similar instruments in a symphony orchestra are referred to as a choir. For example, the woodwind instruments of a symphony orchestra could be called the woodwind choir.

A group that plays popular music or military music is usually called a band. A group that plays while marching on a football field, without being a marching band, is called a drum and bugle corps. These bands perform a wide range of music, ranging from arrangements of jazz orchestral, or popular music to military-style marches. Drum corps perform on brass and percussion instruments only. Some corps perform on bugles in the key of G, while others perform on brass instruments in multiple keys, depending on the group. Drum and Bugle Corps incorporate costumes, hats, and pageantry in their performances.

Other band types include:

Jug bands

Mexican Mariachi groups typically consist of at least two violins, two trumpets, one Spanish guitar, one vihuela (a high-pitched, five-string guitar), and one Guitarrón (a Mexican acoustic bass that is roughly guitar-shaped), and one or more singers.

See also

List of musical ensemble formats

Music

Alexandrov ensemble

References

External links

Music, Historical images. From New York Public Library Digital Gallery

af:Musiekgroep ast:Banda (música) br:Strollad sonerien ca:Banda de música cs:Hudební soubor da:Band de:Band (Musik) es:Banda de música eo:Ĉambra muzikistaro fa:گروه موسیقی fr:Groupe musical ga:Banna ceoil gl:Banda de música ko:음악 그룹 id:Grup musik it:Gruppo musicale nl:Muziekgroep ja:バンド (音楽) no:Band pl:Grupa muzyczna pt:Banda musical ro:Formație (muzică) qu:Kusituy ru:Музыкальный ансамбль scn:Gruppi musicali simple:Band sk:Hudobná skupina sl:Glasbena skupina fi:Yhtye sv:Musikgrupp tr:Bando uk:Музичний колектив zh:音乐团体

name	Youngblood Brass Band
background	group_or_band
origin	Madison, Wisconsin, US
genre	JazzHip hopPunk
years active	1997–present
label	Layered Music
website	youngbloodbrassband.com
current members	D.H. Skogen Tom Reschke Moses Patrou Jonah Gaster Arian Macklin Charley Wagner Mike Boman Tony Barba Zach Lucas Jerome Harper Matt Hanzelka
past members	Nat McIntosh Carl Bartsch Joe Goltz
notable instruments	}}

The Youngblood Brass Band is a brass band from Oregon, Wisconsin, United States that was started by students at Oregon High School in 1995 when they were known as the One Lard Biskit Brass Band with the name changed to the current name in 1998.

History

The band's founding members, sousaphonist Nat McIntosh and snare drummer/lyricist D.H. Skogen, both went to Oregon and first played together in 1994. The band came together in 1995 as the One Lard Biskit Brass Band, subsequently releasing the album ''Better Recognize'' locally. The Youngblood name dates from 1998, the year the group put out their first album, ''Word On The Street''. In 2000 Youngblood released ''Unlearn'', which featured appearances by Talib Kweli, Mike Ladd, DJ Skooly and Ike Willis. ''Unlearn'', which like ''Word On The Street'' was released independently, garnered the band significant attention and led to them being signed to Ozone Music NYC. The band's first album for Ozone, called ''center:level:roar'', came out in 2003. They tour consistently in the United States and Europe, and in 2005 released a live album entitled ''live. places.'' on their Layered Music record label. Their newest album, ''Is That a Riot?'' (2006) was supported by multiple international tours and festival appearances. The band is also known for frequent educational visits to a range of public and private institutions.

Musical style

The Youngblood Brass Band combines the inspiration they took from the traditional New Orleans brass band sound with influences from jazz music, improvised music, a decidedly punk ethos, and a strong hip hop component. More than many New Orleans groups, the Youngblood band focuses on tight ensemble playing and pushing the boundaries of brass band music beyond its traditional genre, which allows them, even when performing live, to provide solid, diverse backing for Skogen's rapping and McIntosh's virtousic sousaphone work. Unable to be classified as either jazz, hip-hop, punk or any other existing genre, the band coined the term ''Riot Jazz''. The band acknowledge the debt their music owes to the New Orleans bands, however, with performances of traditional tunes such as "Chinatown, My Chinatown", which they included on their ''Unlearn'' album.

In 2004, sousaphonist and primary arranger Nat McIntosh left the group. As Nat's music was a "main component of the band's sound since inception", his departure marked a change in sound for Youngblood Brass Band, as chronicled by the release of ''Live. Places''.

Educational work

Band members credit "really good public school system arts-education programs" for inspiring their love of music, and they make an effort to play for schools as well as at clubs and larger venues. Under the aegis of the Layered Arts Collective, which band members co-founded, they also present musical lectures where in addition to performing they speak about the history of brass bands and hip-hop. Layered also promotes free workshops for local Wisconsin youth, brings in national touring musicians and functions as label/publishing house for their family of artists (including Cougar, another genre-bending group of experimental rockers that also count D.H. Skogen as a member).

Members

Youngblood's lineup features

D.H. Skogen- percussion/vocals

Tom Reschke - percussion

Moses Patrou - percussion

Conor Elmes - percussion

Nat McIntosh - sousaphone

Charley Wagner - trumpet

Mike Boman - trumpet

Tony Barba - saxophones

Zach Lucas - saxophones

Joe Goltz - trombone

Matt Hanzelka - trombone

Discography

Albums

''Better Recognize*'' (1997)

''Word on the Street'' (1998)

''Unlearn'' (2000)

''Center:Level:Roar'' (2003)

''Live. Places.'' (2005)

''Is That a Riot?'' (2006)

''*'' recorded by One Lard Biskit Brass Band

References

External links

Layered Arts Collective, sponsors and label of the band

Youngblood Brass Band

de:Youngblood Brass Band fr:Youngblood Brass Band nl:Youngblood Brass Band

name	Nuclear Rabbit
background	group_or_band
origin	Novato, California, United States
genre	Experimental metalAvant-garde metalFunk metal
years active	1989–20002002–
label	Beach Records
associated acts	Element of SurpriseVoodoo Gods
website	Nuclearrabbit.com
current members	Jean BaudinGreg ParrishJason BranyanTimothy Bailey
past members	Thom BurgerMacy MullenJon ScullionPat GarnerSteve "Stymie" Sigaty }}

Nuclear Rabbit is a California band, started in Novato. The band's music has been called metal, more specifically "avant-garde" metal, but incorporates a variety of other styles, making classification difficult. Known for its unusual sound and lyrics, as well as bassist Jean Baudin's 11-string bass. Nuclear Rabbit has a large fan base despite being a perpetually underground and independent band. They are arguably one of the most well known underground bands in California, having more mainstream bands like Papa Roach, Alien Ant Farm, and Deftones opening for them.

Biography

Nuclear Rabbit was started in 1989 by bassist Jean Baudin, who was influenced by a variety of music styles, including Fishbone and Bad Brains, and envisioned having a band not bound to any genre. He was soon joined by guitarist Pat Garner and drummer Steve "Stymie" Sigaty. Originally Baudin performed the vocals, but Greg Parrish was eventually asked to step in as vocalist. Nuclear Rabbit incorporates a variety of genres in their music, including metal, funk, ska, hardcore, punk, jazz, East Indian, and Egyptian. Baudin uses a variety of bass techniques, including tapping, slapping and popping. Their music is often characterized by sudden tempo changes and wacky musical stylings.

The band recorded several demos, some of which are included on the compilation ''Vicuna''. After a quick switch of guitarists, Nuclear Rabbit recorded their first full-length album, ''Intestinal Fortitude'', in 1998. Soon after, Greg left the band and was replaced by Jon Scullion, with whom they recorded their ''More Human'' EP.

In 2000, following ''More Human'', Nuclear Rabbit went on hiatus. During this time Jean and Steve formed an alternative rock style group called Element of Surprise, often stylized as "E:OS." The band was formed as a supergroup of underground artists, eventually including vocalist Andy Slipka of Tribal Disco Noise and guitarist Raye Medeiros of Ten Man Killer. Medeiros left the band some time after, and Baudin asked Pat Garner to step in. They recorded two demos,"2:001" and ''U:pside Down'', before the band called it quits in 2002.

Nuclear Rabbit reunited in 2002 with its original line-up and recorded their 2nd full length, ''Mutopia'', the title being a portmanteau of the words mutation and utopia. The album was well received, but the band went through more line-up changes following the supporting tour. A few shows were played in the Northern California area in 2008 with new guitarist Macy Mullen, as well as awesome new drummer Timothy Bailey, though the band is now currently on an unofficial hiatus, with a status of "Writing New Tunes!" on their official MySpace page for 3 years with no updates. Until August 2011 when the band announced their first show in three years on October 8th of 2011 at The Gilman.

Line-up

Greg Parrish – vocals (1989–1999, 2002–present)

Jean Baudin – Extended-range bass, backing vocals (1989–present)

Timothy Bailey – drums (2005–present, post-''Mutopia'')

Jason Branyan – guitar (1998–2000, 2010–Present, ''Intestinal Fortitude'' and ''More Human'')

Former members

Thom Burger – guitar (1997–1998)

Jon Scullion – vocals (1999–2000, ''More Human'')

Pat Garner – guitar (1989–1997, 2000–2005)

Steve "Stymie" Sigaty – drums (1989–2003)

Macy Mullen – guitar (2006–2008, post-''Mutopia'')

Discography

''Poo Factory'' (Demo) – 1990

''Bowling for Midgets'' (Demo) – 1991

''Utensil Extravaganza'' (Demo) – 1992

''Spork 2000'' (Demo) – 1993

''Vicuna'' (Demo Compilation) – December 2, 1997

''Intestinal Fortitude'' – March 9, 1999

''More Human'' (EP) – July 17, 2000

''Mutopia'' – August 9, 2003

Sources

External links

Official Nuclear Rabbit MySpace Page

Unofficial Nuclear Rabbit Fan Page

Category:Heavy metal musical groups from California Category:Music of the San Francisco Bay Area

name	John Lennon
alt	A bearded, bespectacled man in his late twenties, with long dark brown hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him.
background	solo_singer
birth name	John Winston Lennon
birth date	October 09, 1940
birth place	Liverpool, England, UK
death date	December 08, 1980
death place	New York, New York, US
instrument	Vocals, guitar, piano, harmonica, harmonium, electronic organ, six-string bass
genre	Rock, pop
occupation	Musician, singer-songwriter, record producer, artist, writer
years active	1957–75, 1980
label	Parlophone, Capitol, Apple, EMI, Geffen, Polydor
associated acts	The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, Yoko Ono
notable instruments	Rickenbacker 325Epiphone CasinoGibson J-160E }}

John Winston Lennon (9 October 1940 – 8 December 1980) was an English musician and singer-songwriter who rose to worldwide fame as one of the founding members of The Beatles, one of the most commercially successful and critically acclaimed acts in the history of popular music. Along with fellow Beatle Paul McCartney, he formed one of the most successful songwriting partnerships of the 20th century.

Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums ''John Lennon/Plastic Ono Band'' and ''Imagine'', and iconic songs such as "Give Peace a Chance" and "Imagine". After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to devote time to his infant son Sean, but re-emerged in 1980 with a new album, ''Double Fantasy''. He was murdered three weeks after its release.

Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, becoming controversial through his political and peace activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement.

As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, ''Rolling Stone'' ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.

History

1940–57: Early years

Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital, to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth. He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother, but the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea. After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946, Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. It would be 20 years before he had contact with his father again.

Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, learning how to play "Ain't That a Shame" by Fats Domino.

In September 1980 he talked about his family and his rebellious nature: }}

He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).

Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called ''The Daily Howl'', but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."

His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.

Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."

1957–70: The Quarrymen to The Beatles

1957–65: Formation, commercial breakout, and touring years

The Beatles evolved from Lennon's first band, the Quarrymen. Named after Quarry Bank High School, the group was established by him in September 1956 when he was 15, and began as a skiffle group. By the summer of 1957 the Quarrymen played a "spirited set of songs" made up of half skiffle, and half rock and roll. Lennon first met Paul McCartney at the Quarrymen's second performance, held in Woolton on 6 July at the St. Peter's Church garden fête, after which McCartney was asked to join the band.

McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.

George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played "Raunchy" for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.

Brian Epstein, The Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, ''Please Please Me'', in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon–McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".

The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on ''The Ed Sullivan Show'' marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, ''In His Own Write'' and ''A Spaniard in the Works''. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.

Lennon grew concerned that fans attending Beatles' concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result. Lennon's "Help!" expressed his own feelings in 1965: "I ''meant'' it ... It was me singing 'help'". He had put on weight (he would later refer to this as his "Fat Elvis" period), and felt he was subconsciously seeking change. The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug. When they wanted to leave, their host revealed what they had taken, and strongly advised them not to leave the house because of the likely effects. Later, in an elevator at a nightclub, they all believed it was on fire: "We were all screaming ... hot and hysterical." A few months later in March, during an interview with ''Evening Standard'' reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity." The comment went virtually unnoticed in England but caused great offence in the US when quoted by a magazine there five months later. The furore that followed—burning of Beatles' records, Ku Klux Klan activity, and threats against Lennon—contributed to the band's decision to stop touring.

1966–70: Studio years, break-up and solo work

Deprived of the routine of live performances after their final commercial concert on 29 August 1966, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year." According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity". 1967 saw the release of "Strawberry Fields Forever", hailed by ''TIME'' magazine for its "astonishing inventiveness", and the group's landmark album ''Sgt. Pepper's Lonely Hearts Club Band'', which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon–McCartney's early years.

In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for ''The Beatles'' and ''Abbey Road''.

The anti-war, black comedy ''How I Won the War'', featuring Lennon's only appearance in a non–Beatles' full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film ''Magical Mystery Tour'', released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.

At the end of 1968, Lennon featured in the film ''The Rolling Stones Rock and Roll Circus'' (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond The Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: ''Unfinished Music No.1: Two Virgins'' (known more for its cover than for its music), ''Unfinished Music No.2: Life with the Lions'' and ''Wedding Album''. In 1969 they formed The Plastic Ono Band, releasing ''Live Peace in Toronto 1969''. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".

Lennon left the group in September 1969, and agreed not to inform the media while the band renegotiated their recording contract, but he was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with ''Rolling Stone'' magazine, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"

1970–80: Solo career

1970–72: Initial solo success and activism

In 1970, Lennon and Ono went through primal therapy with Dr. Arthur Janov in Los Angeles, California. Designed to release emotional pain from early childhood, the therapy entailed two half-days a week with Janov for four months; he had wanted to treat the couple for longer, but they felt no need to continue and returned to London. Lennon's emotional debut solo album, ''John Lennon/Plastic Ono Band'' (1970), was received with high praise. Critic Greil Marcus remarked, "John's singing in the last verse of 'God' may be the finest in all of rock." The album featured the songs "Mother", in which Lennon confronted his feelings of childhood rejection, and the Dylanesque "Working Class Hero", a bitter attack against the bourgeois social system which, due to the lyric "you're still fucking peasants", fell foul of broadcasters. The same year, Tariq Ali's revolutionary political views, expressed when he interviewed Lennon, inspired the singer to write "Power to the People". Lennon also became involved with Ali during a protest against ''Oz'' magazine's prosecution for alleged obscenity. Lennon denounced the proceedings as "disgusting fascism", and he and Ono (as Elastic Oz Band) released the single "God Save Us/Do the Oz" and joined marches in support of the magazine.

With Lennon's next album, ''Imagine'' (1971), critical response was more guarded. ''Rolling Stone'' reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from ''Ram'' that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-1970s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and The Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".

Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.

Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, ''Some Time in New York City'' was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on ''The Dick Cavett Show''. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.

1973–75: "Lost weekend"

While Lennon was recording ''Mind Games'' (1973), he and Ono decided to separate. The ensuing 18-month period apart, which he later called his "lost weekend", was spent in Los Angeles and New York in the company of May Pang. ''Mind Games'', credited to the "Plastic U.F.Ono Band", was released in November 1973. Lennon also contributed "I'm the Greatest", to Starr's album ''Ringo'' (1973), released the same month. (an alternate take, from the same 1973 ''Ringo'' sessions, with Lennon providing a guide vocal, appears on ''John Lennon Anthology'').

In early 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson made headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation "towel" on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album ''Pussy Cats'' and Pang rented an Los Angeles beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than 30 years. Pang supplied the recording for its eventual inclusion on ''The Very Best of Mick Jagger'' (2007).

Settled back in New York, Lennon recorded the album ''Walls and Bridges''. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's ''Goodnight Vienna'' (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There", which he introduced as "a song by an old estranged fiancee of mine called Paul".

Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. The same month, Elton John topped the charts with his cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. He and Ono were reunited shortly afterwards. Lennon released ''Rock 'n' Roll'' (1975), an album of cover songs, in February. "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special ''A Salute to Lew Grade'', recorded on 18 April and televised in June. Playing acoustic guitar, and backed by an eight-piece band, Lennon performed two songs from ''Rock 'n' Roll'' ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine".

1975–80: Retirement and return

With the birth of his second son Sean on 9 October 1975, Lennon took on the role of househusband, beginning what would be a five-year hiatus from the music industry during which he gave all his attention to his family. Within the month, he fulfilled his contractual obligation to EMI/Capitol for one more album by releasing ''Shaved Fish'', a compilation album of previously recorded tracks. He devoted himself to Sean, rising at 6 am daily to plan and prepare his meals and to spend time with him. He wrote "Cookin' (In the Kitchen of Love)" for Starr's ''Ringo's Rotogravure'' (1976), performing on the track in June in what would be his last recording session until 1980. He formally announced his break from music in Tokyo in 1977, saying, "we have basically decided, without any great decision, to be with our baby as much as we can until we feel we can take time off to indulge ourselves in creating things outside of the family." During his career break he created several series of drawings, and drafted a book containing a mix of autobiographical material and what he termed "mad stuff", all of which would be published posthumously.

He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album ''Double Fantasy'', which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album ''Milk and Honey'' (released posthumously in 1984). Released jointly with Ono, ''Double Fantasy'' was not well received, drawing comments such as ''Melody Maker'''s "indulgent sterility ... a godawful yawn".

8 December 1980: Death

At around 10:50 pm on 8 December 1980, as Lennon and Ono returned to their New York apartment in The Dakota, Mark David Chapman shot Lennon in the back four times at the entrance to the building. Lennon was taken to the emergency room of the nearby Roosevelt Hospital and was pronounced dead on arrival at 11:07 pm. Earlier that evening, Lennon had autographed a copy of ''Double Fantasy'' for Chapman.

Ono issued a statement the next day, saying "There is no funeral for John", ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second-degree murder and was sentenced to 20 years to life; as of 2011, he remains in prison, having been denied parole six times.

Personal relationships

Cynthia Lennon

Lennon and Cynthia Powell met in 1957 as fellow students at the Liverpool College of Art. Although being scared of Lennon's attitude and appearance, she heard that he was obsessed with French actress Brigitte Bardot, so she dyed her hair blonde. Lennon asked her out, but when she said that she was engaged, he screamed out, "''I didn't ask you to fuckin' marry me, did I?''" She often accompanied him to Quarrymen gigs and travelled to Hamburg with McCartney's girlfriend at the time to visit him. Lennon, jealous by nature, eventually grew possessive and often terrified Powell with his anger and physical violence. Lennon later said that until he met Ono, he had never questioned his chauvinistic attitude to women. The Beatles' song "Getting Better", he said, told his own story, "I used to be cruel to my woman, and physically—any woman. I was a hitter. I couldn't express myself and I hit. I fought men and I hit women. That is why I am always on about peace".

Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.

Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.

Brian Epstein

The Beatles were performing at Liverpool's Cavern Club in 1962, when all four Beatles were introduced to Epstein after a midday concert. Epstein was homosexual. According to biographer Philip Norman, one of his reasons for wanting to manage the group was that he was physically attracted to Lennon. Almost as soon as Julian was born, Lennon went on holiday to Spain with Epstein, leading to speculation about their relationship. Questioned about it later, Lennon said, "Well, it was almost a love affair, but not quite. It was never consummated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was homosexual. We used to sit in a café in Torremolinos looking at all the boys and I'd say, 'Do you like that one? Do you like this one?' I was rather enjoying the experience, thinking like a writer all the time: I am experiencing this." Soon after their return from Spain, at McCartney's twenty-first birthday party in June 1963, Lennon physically attacked Cavern Club MC Bob Wooler for saying "How was your honeymoon, John?" The MC, known for his wordplay and affectionate but cutting remarks, was making a joke, but ten months had passed since Lennon's marriage, and the honeymoon, deferred, was still two months in the future. To Lennon, who was intoxicated with alcohol at the time, the matter was simple: "He called me a queer so I battered his bloody ribs in".

Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered ''Queer Jew''; on learning of the eventual title, ''A Cellarful of Noise'', he parodied, "More like ''A Cellarful of Boys''". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".

Julian Lennon

Lennon's first son, Julian, was born as his commitments with The Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with The Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten The Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'" Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song." McCartney corroborated Lennon's explanation that Julian innocently came up with the name. Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into The Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."

Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a ''Walls and Bridges'' track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."

In a ''Playboy'' interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.

Yoko Ono

Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica Gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar. Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of The Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in." The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, ''Notations'', but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".

Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the ''Two Virgins'' album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.

During Lennon's last two years in The Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in The Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by The Beatles' ''Let It Be'' rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on The Beatles' last album, ''Abbey Road''. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971.

They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.

May Pang

ABKCO Industries, formed in 1968 by Allen Klein as an umbrella company to ABKCO Records, recruited May Pang as a receptionist in 1969. Through involvement in a project with ABKCO, Lennon and Ono met her the following year. She became their personal assistant. After she had been working with the couple for three years, Ono confided that she and Lennon were becoming estranged from one another. She went on to suggest that Pang should begin a physical relationship with Lennon, telling her, "He likes you a lot." Pang, 22, astounded by Ono's proposition, eventually agreed to become Lennon's companion. The pair soon moved to California, beginning an 18-month period he later called his "lost weekend". In Los Angeles, Pang encouraged Lennon to develop regular contact with Julian, whom he had not seen for two years. He also rekindled friendships with Starr, McCartney, Beatles' roadie Mal Evans, and Harry Nilsson. Whilst drinking with Nilsson, after misunderstanding something Pang said, Lennon attempted to strangle her, relenting only when physically restrained by Nilsson.

On moving to New York, they prepared a spare room in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.

Sean Lennon

When Lennon and Ono were reunited, she became pregnant, but having previously suffered three miscarriages in her attempt to have a child with Lennon, she said she wanted an abortion. She agreed to allow the pregnancy to continue on condition that Lennon adopt the role of househusband; this he agreed to do. Sean was born on 9 October 1975, Lennon's 35th birthday, delivered by Caesarean section. Lennon's subsequent career break would span five years. He had a photographer take pictures of Sean every day of his first year, and created numerous drawings for him, posthumously published as ''Real Love: The Drawings for Sean''. Lennon later proudly declared, "He didn't come out of my belly but, by God, I made his bones, because I've attended to every meal, and to how he sleeps, and to the fact that he swims like a fish."

Former Beatles

Although his friendship with Starr remained consistently warm during the years following The Beatles' break-up in 1970, Lennon's relationship with McCartney and Harrison varied. He was close to Harrison initially, but the two drifted apart after Lennon moved to America. When Harrison was in New York for his December 1974 ''Dark Horse'' tour, Lennon agreed to join him on stage, but failed to appear after an argument over Lennon's refusal to sign an agreement that would finally dissolve The Beatles' legal partnership. (Lennon eventually signed the papers while holidaying in Florida with Pang and Julian.) Harrison incensed Lennon in 1980 when he published an autobiography that made little mention of him. Lennon told ''Playboy'', "I was hurt by it. By glaring omission ... my influence on his life is absolutely zilch ... he remembers every two-bit sax player or guitarist he met in subsequent years. I'm not in the book."

Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of ''Saturday Night Live'' in which Lorne Michaels made a $3,000 cash offer to get The Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."

Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he could not get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."

Political activism

Lennon and Ono used their honeymoon as what they termed a "Bed-In for Peace" at the Amsterdam Hilton Hotel; the March 1969 event attracted worldwide media ridicule. At a second Bed-In three months later at the Queen Elizabeth Hotel in Montreal Lennon wrote and recorded "Give Peace a Chance". Released as a single, it was quickly taken up as an anti-war anthem and sung by a quarter of a million demonstrators against the Vietnam War in Washington, DC, on 15 October, the second Vietnam Moratorium Day.

Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.

Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming ''Some Time in New York City'' album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on ''John Lennon Anthology'' (1998).

Following the ''Bloody Sunday'' incident in Northern Ireland in 1972, in which 13 unarmed civil rights protesters were shot dead by the British Army, Lennon said that given the choice between the army and the IRA (who were not involved in the incident) he would side with the latter. Lennon and Ono wrote two songs protesting British presence and actions in Ireland for their ''Some Time in New York City'' album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, David Shayler, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA though this was swiftly denied by Ono. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film ''The Irish Tapes'', a political documentary with a Republican slant.

According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".

Deportation attempt

Following the impact of "Give Peace a Chance" and "Happy Xmas (War Is Over)", both strongly associated with the anti–Vietnam War movement, the Nixon administration, hearing rumours of Lennon's involvement in a concert to be held in San Diego at the same time as the Republican National Convention, tried to have him deported. Nixon believed that Lennon's anti-war activities could cost him his re-election; Republican Senator Strom Thurmond suggested in a February 1972 memo that "deportation would be a strategic counter-measure" against Lennon. The next month the United States Immigration and Naturalization Service (INS) began deportation proceedings, arguing that his 1968 misdemeanor conviction for cannabis possession in London had made him ineligible for admission to the United States. Lennon spent the next three and a half years in and out of deportation hearings until on 8 October 1975, when a court of appeals barred the deportation attempt, stating " ... the courts will not condone selective deportation based upon secret political grounds." While the legal battle continued, Lennon attended rallies and made television appearances. Lennon and Ono co-hosted the ''Mike Douglas Show'' for a week in February 1972, introducing guests such as Jerry Rubin and Bobby Seale to mid-America. In 1972, Bob Dylan wrote a letter to the INS defending Lennon, stating:

John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!

On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York City Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary ''The U.S. vs. John Lennon''. Lennon's ''Mind Games'' (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.

FBI surveillance and declassified documents

After Lennon's death, historian Jon Wiener filed a Freedom of Information Act request for FBI files documenting the Bureau's role in the deportation attempt. The FBI admitted it had 281 pages of files on Lennon, but refused to release most of them on the grounds that they contained national security information. In 1983, Wiener sued the FBI with the help of the American Civil Liberties Union of Southern California. It took 14 years of litigation to force the FBI to release the withheld pages. The ACLU, representing Wiener, won a favourable decision in their suit against the FBI in the Ninth Circuit in 1991. The Justice Department appealed the decision to the Supreme Court in April 1992, but the court declined to review the case. In 1997, respecting President Bill Clinton's newly instigated rule that documents should be withheld only if releasing them would involve "foreseeable harm", the Justice Department settled most of the outstanding issues outside court by releasing all but 10 of the contested documents. Wiener published the results of his 14-year campaign in January 2000. ''Gimme Some Truth: The John Lennon FBI Files'' contained facsimiles of the documents, including "lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges". The story is told in the documentary ''The U.S. vs. John Lennon''. The final 10 documents in Lennon's FBI file, which reported on his ties with London anti-war activists in 1971 and had been withheld as containing "national security information provided by a foreign government under an explicit promise of confidentiality", were released in December 2006. They contained no indication that the British government had regarded Lennon as a serious threat; one example of the released material was a report that two prominent British leftists had hoped Lennon would finance a left-wing bookshop and reading room.

Writing and art

Lennon's biographer Bill Harry writes that Lennon began drawing and writing creatively at an early age with the encouragement of his uncle. He collected his stories, poetry, cartoons, and caricatures in a Quarry Bank High School exercise book that he called the ''Daily Howl''. The drawings were often of crippled people, and the writings satirical, and throughout the book was an abundance of wordplay. According to classmate Bill Turner, Lennon created the ''Daily Howl'' to amuse his best friend and later Quarrymen band mate, Pete Shotton, to whom he would show his work before he let anyone else see it. Turner said that Lennon "had an obsession for Wigan Pier. It kept cropping up", and in Lennon's story ''A Carrot In A Potato Mine'', "the mine was at the end of Wigan Pier." Turner described how one of Lennon's cartoons depicted a bus stop sign annotated with the question, "Why?". Above was a flying pancake, and below, "a blind man wearing glasses leading along a blind dog—also wearing glasses".

Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that ''In His Own Write'' (1964) was published after "Some journalist who was hanging around The Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the ''Daily Howl'' it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". ''The Times Literary Supplement'' considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". ''Book Week'' reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".

In combination with ''A Spaniard in the Works'' (1965), ''In His Own Write'' formed the basis of the stage play ''The John Lennon Play: In His Own Write'', co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including ''Skywriting by Word of Mouth'' (1986); ''Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook'' (1992), with Lennon's illustrations of the definitions of Japanese words; and ''Real Love: The Drawings for Sean'' (1999). ''The Beatles Anthology'' (2000) also presented examples of his writings and drawings.

Musicianship

Instruments played

His playing of a mouth organ during a bus journey to visit his cousin in Scotland caught the driver's ear. Impressed, the driver told Lennon of a harmonica he could have if he came to Edinburgh the following day, where one had been stored in the bus depot since a passenger left it on a bus. The professional instrument quickly replaced Lennon's toy. He would continue to play harmonica, often using the instrument during The Beatles' Hamburg years, and it became a signature sound in the group's early recordings. His mother taught him how to play the banjo, later buying him an acoustic guitar. At 16, he played rhythm guitar with the Quarrymen. As his career progressed, he played a variety of electric guitars, predominantly the Rickenbacker 325, Epiphone Casino and Gibson J-160E, and, from the start of his solo career, the Gibson Les Paul Junior. Occasionally he played a six-string bass guitar, the Fender Bass VI, providing bass on some Beatles' numbers that occupied McCartney with another instrument. His other instrument of choice was the piano, on which he composed many songs, including "Imagine", described as his best-known solo work. His jamming on a piano with McCartney in 1963 led to the creation of The Beatles' first US number one, "I Want to Hold Your Hand". In 1964, he became one of the first British musicians to acquire a Mellotron keyboard, though it was not heard on a Beatles' recording until "Strawberry Fields Forever" in late 1966.

Vocal style

When Lennon recorded "Twist and Shout", the final track during the mammoth one-day session that captured the band's 1963 debut album ''Please Please Me'', his voice, already compromised by a cold, came close to giving out. Lennon said, "I couldn't sing the damn thing, I was just screaming." In the words of biographer Barry Miles, "Lennon simply shredded his vocal cords in the interests of rock 'n' roll." The Beatles' producer, George Martin, tells how Lennon "had an inborn dislike of his own voice which I could never understand. He was always saying to me: 'DO something with my voice! ... put something on it ... Make it ''different''.'" Martin obliged, often using double-tracking and other techniques. Music critic Robert Christgau says that Lennon's "greatest vocal performance ... from scream to whine, is modulated electronically ... echoed, filtered, and double tracked."

As his Beatles' era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic ''John Lennon/Plastic Ono Band''." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing The Beatles' ''Ed Sullivan Show'' performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."

Legacy

Music historians Schinder and Schwartz, writing of the transformation in popular music styles that took place between the 1950s and the 1960s, say that The Beatles' influence cannot be overstated: having "revolutionized the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts", the group then "spent the rest of the 1960s expanding rock's stylistic frontiers". Liam Gallagher, his group Oasis among the many who acknowledge the band's influence, identifies Lennon as a hero; in 1999 he named his first child Lennon Gallagher in tribute. On National Poetry Day in 1999, after conducting a poll to identify the UK's favourite song lyric, the BBC announced "Imagine" the winner.

In a 2006 ''Guardian'' article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."

Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.

Awards and sales

The Lennon–McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 25 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. ''Double Fantasy'', released shortly before his death, and his best-selling, post-Beatles' studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, ''Rolling Stone'' recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums ''John Lennon/Plastic Ono Band'' and ''Imagine'', 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.

Discography

''Unfinished Music No.1: Two Virgins'' (with Yoko Ono) (1968)

''Unfinished Music No.2: Life with the Lions'' (with Yoko Ono) (1969)

''Wedding Album'' (with Yoko Ono) (1969)

''John Lennon/Plastic Ono Band'' (1970)

''Imagine'' (1971)

''Some Time in New York City'' (with Yoko Ono) (1972)

''Mind Games'' (1973)

''Walls and Bridges'' (1974)

''Rock 'n' Roll'' (1975)

''Double Fantasy'' (with Yoko Ono) (1980)

''Milk and Honey'' (with Yoko Ono) (1984)

''Menlove Ave.'' (1986)

Notes

Lennon was responsible for 25 Billboard Hot 100 number one singles as performer, writer or co-writer. Solo (2): "Whatever Gets You Thru the Night", "(Just Like) Starting Over". With The Beatles (20): "Can't Buy Me Love", "I Feel Fine", "I Want to Hold Your Hand", "Love Me Do", "She Loves You", "A Hard Day's Night", "Eight Days a Week", "Help!", "Ticket to Ride", "Yesterday", "Paperback Writer", "We Can Work It Out", "All You Need Is Love", "Hello Goodbye", "Penny Lane", "Hey Jude", "Something/"Come Together", "Get Back", "Let It Be", "The Long and Winding Road"/"For You Blue". As co-writer of and performer on release by another artist (1): "Fame" (David Bowie). As co-writer of releases by other artists (2): "A World Without Love" (Peter and Gordon), "Lucy in the Sky with Diamonds" (Elton John).

Citations

References

Further reading

Kane, Larry (2007). ''Lennon Revealed''. Running Press. ISBN 9780762429660

Pang, May; Edwards, Henry (1983). ''Loving John: The Untold Story''. Warner Books. ISBN 0-446-37916-6.

Wiener, Jon. The John Lennon FBI Files

Yorke, Richard (1969). "John Lennon: Ringo’s Right, We Can’t Tour Again", ''New Musical Express'', 7 June 1969, reproduced by ''Crawdaddy!'', 2007.

External links

The Liverpool Lennons

''BBC'' Archive on John Lennon

''NPR'' Archive on John Lennon

John Lennon and Yoko Ono – slideshow by ''Life magazine''

John Lennon hosted by EMI Group Limited

Unveiling of ‘Peace & Harmony’, European Peace Monument – Dedicated to John Lennon

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name	Nuclear Death
background	group_or_band
origin	Phoenix, Arizona, USA
genre	Death metal/Grindcore
years active	1986-2000
label	Wild Rags
past members	Lori BravoSteve CowanPhil HampsonJoel Whitfield }}

Nuclear Death was a death metal band formed in 1986 in Phoenix, Arizona. They were the first band in the extreme metal genre with a female vocalist, Lori Bravo.

Their style was compared to bands like Impetigo, Blasphemy, Autopsy, Deceased, and Repulsion.

Biography

Nuclear Death were formed on March 23, 1986, by Laura Bravo (vocals, bass), Phil Hampson (guitar), and Joel Whitfield (drums). Their first demo, ''Wake Me When I'm Dead'', was released later that same year, receiving positive reviews from American and overseas zines. They were notable as at the time very few death metal artists had female singers. Their second demo, ''Welcome to the Minds of the Morbid'', followed in 1987, on the back of which Nuclear Death signed a contract with Richard Campos from Wild Rags, a record label, fanzine and record dealer in California.

In 1991, the band released their more controversial work, entitled ''Carrion for Worm'', containing many songs considered to be in bad taste, such as "The Human Seed", "Lurker in the Closet: A 'Fairy' Tale", and "Greenflies". ''Carrion for Worm'' featured vocals by Chris Reifert, singer from popular death metal band Autopsy, on two songs, "Cathedral of Sleep" and "Vampirism".

On May 23, 1992, Nuclear Death played a notorious concert in Puerto Rico, with label partners Impetigo. Later that year they released ''For Our Dead'', a four-track single containing a rerecorded version of 1987's "The Third Antichrist" from ''Welcome to the Minds of the Morbid''.

After the break-up of Nuclear Death, Lori went on to form a new band, Raped, in 2002. Joel Whitfield joined Eroticide in 1991.

Band members

Lori Bravo - vocals, guitar, and bass

Steve Cowan - drums and bass

Phil Hampson - Guitar

Joel Whitfield - Drums

Discography

Demo cassettes

1986 - ''Wake Me When I'm Dead''

1987 - ''Welcome to the Minds of the Morbid''

1988 - ''A Simphony of Agony'' (Reh Tape Records)

1988 - ''Vultures Feeding''

Full-length albums

1988 - ''Caveat'' cassette tape

1990 - ''Bride of Insect'' LP (Wild Rags)

1991 - ''Carrion for Worm'' LP (Wild Rags)

1992 - ''For Our Dead'' EP/cassette tape (Wild Rags)

1992 - ''All Creatures Great and Eaten'' cassette tape

1996 - ''The Planet Cachexial'' CD (Cat's Meow Records)

2000 - ''Harmony Drinks of Me'' CD (Cat's Meow Records)

Rereleases

2000 - ''Bride of Insect / Carrion for Worm'' CD (Extremist Records)

2002 - ''For Our Dead / All Creatures Great and Eaten'' CD (Extremist Records)

DVDs

???? - ''Unalive in Texas'' VHS

???? - ''The Profligacy Video'' VHS

External links

Reviews

Bride of Insect/Carrion for Worm review on Vampire Magazine

Bride of Insect/Carrion for Worm review on VS Webzine

References

Category:American death metal musical groups Category:Musical groups established in 1986 Category:Musical groups disestablished in 2000 Category:Musical groups from Phoenix, Arizona Category:Heavy metal musical groups from Arizona Category:Musical quartets

fr:Nuclear Death sco:Nuclear Death